The fragrant deeds of the Ming Dynasty buttons

The history of buttons has also been calculated for more than 6,000 years. As early as 4000 AD, Persians had already made buttons with stones. Our country’s Zhou Dynasty also began to use the blouse under the blouse. Both men and women wear two pieces of clothes under the upper skirts. There have also been many wonderful stories. Today, China's Button Industry Network Xiaobian gives you a beautiful story of the Ming Dynasty buttons.
Buttons are everyday objects, but the brilliant buttons and exquisite craftsmanship of the Ming Dynasty are still amazing. They not only play a role in life, but are also indispensable “detailed descriptions” of novels.
The buttons of the Ming Dynasty, "America's awesome history," button, the marriage is good. You catch me, I catch you, and the two squat firmly, to generate a pair of relying on. Determined to concentric knot, squat down neck and neck. For a while Separated also, it will be closed for a while."(Feng Menglong comments on "hanging branches")
The original love of men and women, is a separable button, this analogy is not very interesting?
Hanging Children is a very popular little song in the Ming Dynasty. Buttons are a common thing in the Ming Dynasty.
The fragrant historic buttons of the Ming Dynasty buttons appeared very early. Since the Tang Dynasty, they were more commonly used in clothing. Lin'an in the Southern Song Dynasty had a small broker specializing in "buttons". In the Ming Dynasty, because women valued their necks, the buttons on the collars quickly became popular and even led to the emergence of vertical collars.
Buttons of the Ming Dynasty were mostly made of metal or jade such as gold, silver and copper, and they were of different sizes. Buttons usually used for collars are slightly smaller and buttons used for clothing are slightly larger. From the structural point of view, the principle of the button is the same as that of the snap button. When the button is snapped, the circular protruding part of one end of the button is inserted into the round hole of the “New Gate” to be leveled, and vice versa.
Buttons of the Ming Dynasty are very rich in style, mostly with auspicious patterns with good morals, common are: bee chrysanthemum (Tang "sweet bee chrysanthemum collection" poems: under the skies clear sky, find Fang to the bushes. With sound On the core, even in the shadow.), Dielianhua ("Yuefu poetry": the order of 蛱 Dielian Huaqing, Ronghua Feiyan meeting.), Lotus boy and sunflower, Ganoderma lucidum, Xiangyun, Fushou, 卍Words etc. The well-made buttons are also inlaid with various kinds of precious stones and pearls as decoration.
Exquisite and beautiful buttons are also liked and loved by women. In the Ming Dynasty novel “The Leisure Criticism”, there was a description of a button as a gift: “A little girl handed a small paper basket to a mother... but it was a white floral scarf with a pair of silver teeth and a pair of teeth. Red blouses, two ribbons, and two jade buttons. "Because the buttons create a pair of relying on each other's characteristics, they naturally become a perfect companion for men and women. There is also such a song in Hanging Children." The word: “The combing is done by the slaves. The incense teas are buckled, and they are hidden inside. Send them to the family and forget about the old ones. The sweet tea is in the mouth and the buttons are in the heart... ”
The use of buttons is closely related to the style of women's wear in the Ming Dynasty. When wearing a collared collar, only two pairs or buttons are attached to the collar, and the big tie is still tied. When wearing the short collar, the buttons are usually decorated with five buttons. There are vertical collars and two pairs of collars. Like Jin Ping Mei's description of the dress of Pan Jinlian: "Plucking on the scented geese and grazing title of the reeds on the pimple, the white collar, the eyebrows and the chrysanthemums spurred the chrysanthemum buttons." Late Ming Dynasty, Females wear uniforms with the main collar and long collars, the collar with buttons, and the plaits with ties (the female pleats in the opera still retain this shape). "Peony Pavilion" "dream", Liu Mengmei deeply sang for Du Li-niang: "With your collar buckle loose, clothing bandwidth, sleeve tip children licking your teeth and children also ... ..." so straightforward, fiery confession, triggering future generations How many associations "defeating feudal rites" are related to buttons.
In addition to the outer clothing, buttons were also used on Ming women's lingerie. For example, when Ximen Qing first saw Pan Jinlian in the “Golden Lotus”, she was attracted by her semi-exposed “thrilled breasts”: “But see... The most exaggerated child, there is no price for crisp and open breasts... The sweat-absorbent cuff is worn by the child's cuffs, and the sachets are hung low by the side. The tops of the bras are heavy buttons under the throat.” It can also be seen in Ming Dynasty paintings.
Buttons as an important part of women's clothing, between the opening and closing, can always remind men of reverie, so ultimately in the literary works to connect it with the woman's sexy, so there is a "soft wipes crisp breasts, a short while The buttons are slightly loose. The pear blossoms are repulsive to the spring breeze, which is similar to the depiction of Xiao Han Yu Jue ("Zi Xian"). The story of “An Interpretation of People” records a story: “When Jie Xie sees a woman’s clothes, she uses nine buttons to make a poetic drama. She has a 绫绡 绫绡 素 素 素 素 素 素 , , , , 美 美 美 美 美 美 美 美 美 美 美 妲娥 妲娥 妲娥 妲娥. There are a lot of buttons to use.” The story is not authentic, but the poem is not so much conservative as a joking woman. Rather, it is a man’s strong regret about “want to see and not get.”
The description of the buttons in the ancient Ming Dynasty can be seen that the clothing of the Ming Dynasty had already started the design of the buttons, as a detail of the costumes and the characteristics of the costumes.

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